My favorite
graphic novel I have read so far is “Stitches” by children’s author and
illustrator David Small. “Stitches” is a memoir of Smalls’ childhood growing up
in a silent family filled with warped secrets. With art having the power to
transform, Small was able to heal many of his wounds created from his past. In
this tale of redemption Small turns his nightmare into a fairytale and in the
end we as the readers fall in love with him.
Animator, Walt
Stanchfield, once said, “Sometimes you have to draw not what you see but what
you know is there or what you feel is there.”This was the case
for David Small when he first started creating “Stitches, ” which was a finalist
for the 2009 National Book Award and two 2010 Will Eisner Comic Industry
Awards. As an accomplished artist Small felt like he was struggling in
his ideal life. The metaphors in his life weren’t working anymore. As a middle-aged
artist he had a seemingly perfect life, steady career and happy family. Yet he
was still a troubled young man at heart.
He wanted answers. Most of all he wanted to do it himself.
Small decided to resolve
his issues through paper. At first he tried to write it all down as a prose. However
words are harder to get out. He realized pictures were his medium. He believed
it could solve his problems. It took him back in a visceral way. By reliving
his past he was able to cure a lot of his unresolved emotions.
How does one go
that deep into the recesses of their mind? He started by trying to remember one
thing at a time. He started with simple objects, like a lampshade. He would
remember that lampshade and draw it. Then a rug, then a couch, before he knew
it there was an entire room. A room from his family house that he grew up in, it
was the setting for his tragedy. Once he had the room, the ghosts of the people
came with it and he was projected there.
While reading “Stitches” we experience David’s life
from ages 6 to 16. We grow up with him in a silent, lonely home filled with
aggravation and nothing but crayons and paper to restrain our anxiousness. As
time progresses we feel his solitude and innocence. Imagine you are in this
situation. The horror of waking up in a hospital with no voice and your reflection
looking back at you in terror at the sight of a neck held together by mere
thread. Discovering cancer was the cause and friends and family expected your
death all along. Your so-called
family feels like the threat of a monster breathing down the nape of your stitched
neck. Small could only find peace with the white rabbit. The white rabbit was
his therapist, and the loving and firm parent he deserved but was without. He
guided him to live on his own at 16 encouraging his dreams of being an artist
and living a better life away from his nightmarish home.
David Small is Rapunzel
escaping her tower; he doesn’t just survive but lives happily ever after. After
such a dark tale, David brings us to his present. This present has light. Good
conquers in this dark account. David finds release in art. He feels like
himself when he is creating work. He finds a strength in every drawing. Just
like when he was younger and he would run away in his drawings. He increases
his talents and gains praise for his efforts. Even though the people in his
life up to this point have been monster like images. He seeks to find the good ones
he knows are out there. Meeting people that fit with him and make him feel less
lost.
The artistic style
of the book is quick and gestural. It’s drawn loosely and isn’t tight or over
worked. Lacking color, the graphic quality enhances the concept of the past. The ink being a wet medium creates an
organic flow that forms a stream of dreamlike images, the reader swimming in a
sea of foggy memories.
Innocent little
David experiences the calamity his family brings on him with ever page. Alice
in Wonderland being a popular theme through out the book clearly demonstrates
the comparison between himself and Alice. Like Alice there is madness coming
from every angle toward an innocent child. His mother, a tyrannical, scolding
parent was like a Red Queen. He was living in wonderland but much like Alice’s
it wasn’t a wonderland at all.
Small is a
teacher, author and artist who has illustrated over forty picture books. “Imogene’s
Antlers” is one of his best sellers. Written and illustrated by Small, it was
an instant classic, becoming a Reading Rainbow Feature Book with over 550,000
copies sold. It is a tale of a girl named Imogene who wakes up one morning to
discover she has grown antlers! Her family and friends fail to resolve the
issue but try to make the best of the bizarre conundrum. The next morning she
wakes up without her antlers! Although to everyone’s surprise she sprouts peacock
feathers. In this wacky situation there is a lesson of acceptance to be
learned.
It’s easy to see
the connection with “Imogene’s Antlers” to “Stitches.” Small is trying to reach out to children
with a truth. Children are always in search for honesty. This book is the
embodiment of his personal feelings to the little girl character. Waking up one morning with antlers is a
metaphor for waking up with no voice, a huge scar on your neck and discovering
it was cancer and no one told you. The antlers equal the absurdity and
confusion. It’s still the unfortunate story of his childhood but its told in a
way for children to understand. It’s hidden among comedy, fun imagery and a
light color palette but the truth is just as much inside those pages as it is
in “Stitches,” and that was seen.
David Small still
feels anger and resentment towards his family after making “Stitches.” He often
felt like he was born an alien in the wrong family. Ultimately he believes none
of them belonged together. He doesn’t like those people much but he understands
them now on the level of an adult. The book is written from the mind of a six
year old, fourteen year old, and a fifteen year old. At that age he couldn’t
understand their motives as adults.
We know the most
important man in Smalls past as the White Rabbit, his teenage therapist. He believed to cure you have to love
your patient. As a therapist he went beyond his bounds with David. Helping him
take care of himself by teaching him how to shop and letting him stay with his
family when things were unbearable at home. Its said that perfect analysts are
perfect parents.
Later in life he
told David he could cure him because he loved him. They shared a similar
childhood experience that David was unaware of. He loved David because he was
David. David’s mother was his mother too. This is what David Small has
experienced hearing himself since the release of “Stitches” from his own
readers.
Work for children
creates reigns for writers. “Stitches” allowed him to explore his dark past
with the proper amount of magnification that he felt was needed and with the
right audience.
As an artist with
a passion for children’s media I am also interested in investigating my own
childhood in order to pass my own truths to children in my work. Making art has
taught me that the best work comes from your own experiences. The best art comes from your own life
and how we work from our hearts. When J.K. Rowling started writing “Harry
Potter and the Philosophers Stone” her mother had recently passed away and she
really felt Harry’s sadness with the loss of his parents. This emotion she felt dramatically
changed her writing. Artists of all kinds can thrive off of great emotions,
even if they are filled with sorrow or rage.
David Small once
said, “If I didn’t become an artist I probably would have become a serial
killer.” Thankfully for us, he did not.
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